[center]



[size=4]The Beatles - TBIM Sgt Pepper (2014 Vinyl Remaster 2009) 24Bit FLAC Beolab1700[/size]



[IMG]http://i.imgur.com/9bFCbFJ.jpg[/IMG]



---------------------------------------------------------------------

                      The Beatles -  Sgt. Pepper's Lonely Hearts Club Band

---------------------------------------------------------------------



Artist...............: The Beatles

Album................: Sgt. Pepper's Lonely Hearts Club Band

Genre................: Rock

Source...............: Vinyl

Year.................: 1966

Codec................: Free Lossless Audio Codec (FLAC)

Version..............: reference libFLAC 1.2.1 20071117

Quality..............: Lossless, (avg. compression: 61 %)

Channels.............: Mono / 96000 HZ / 24 Bit

Tags.................: VorbisComment

Information..........: 



Posted by............: Beolab1700 on 05/10/2014



---------------------------------------------------------------------

                       Tracklisting

---------------------------------------------------------------------



   1. The Beatles - Being for the Benefit of Mr. Kite!        [02:34]

   2. The Beatles - With a Little Help from My Friends        [02:37]

   3. The Beatles - Lovely Rita                               [02:43]

   4. The Beatles - Within You Without You                    [05:03]

   5. The Beatles - Lucy in the Sky with Diamonds             [03:25]

   6. The Beatles - Getting Better                            [02:45]

   7. The Beatles - Fixing a Hole                             [02:35]

   8. The Beatles - A Day in the Life                         [06:07]

   9. The Beatles - When I'm Sixty-Four                       [02:38]

  10. The Beatles - Sgt. Pepper's Lonely Hearts Club Band     [02:05]

  11. The Beatles - Good Morning Good Morning                 [02:33]

  12. The Beatles - Sgt. Pepper's Lonely Hearts Club Band (Reprise)[01:17]

  13. The Beatles - She's Leaving Home                        [03:23]



Playing Time.........: 39:51

Total Size...........: 396.53 MB



---------------------------------------------------------------------



    Lineage:



    Vinyl: Mint – Purchased New



    Cleaning: DIY cleaning fluid, distilled water rinse, Spin Clean, second distilled water rinse (mini shop vac with a micro tool brush attachment

    between steps to pull up fluids)



    TT: Pro-Ject Debut Carbon

    Cart: Ortofon 2M Bronze MM Cartridge

    Phono Stage: Lehmann Audio Black Cube

    Preamp: Schiit Asgard 2

    Interconnects: Blue Jeans RCA Interconnects, Pro-Ject Connect It Phono Interconnect

    Interface: ESI Juli@ XTe



    Recording: Audacity (Custom ASIO build) – 192 kHz/24 Bit

    Sides A and B recorded and joined

    Exported to 24 bit WAV file via Audacity

    Manual Cleanup and Resampling to 96 kHz: iZotope RX2

    Stereo to Mono Conversion, -1.0 db Amplification/Normalization and Track Splitting: Audacity v2.0.0 (Custom ASIO build)

    Converted to 24 Bit FLAC (Level 8) via dBpowerAMP



    Converted from 24/192 FLAC to 24/96 FLAC via dBpowerAMP.



    No silence has been removed.



Thanks to Soumac



---------------------------------------------------------------------



5 years to the day after the release of The Beatles in Mono, a box set of the group’s monaurally mixed catalog through 1968, the band is issuing a vinyl version of the box set. Although the quartet put out stereo versions of their albums concurrent with the mono ones throughout most of their career, the Beatles considered the mono versions as definitive.

The limited-edition 14-LP Beatles in Mono vinyl box set includes the group’s first nine U.K. albums – from Please Please Me to The Beatles – the American-compiled Magical Mystery Tour and a collection of Mono Masters, which consist of non- album singles and tracks, all on 180-gram vinyl.

Grammy-winning engineer Sean Magee and Grammy-winning mastering supervisor Steve Berkowitz remastered each record for vinyl in the same room at Abbey Road Studios where most of the group’s albums were recorded, using quarter-inch master tapes without the help of any digital technology. Instead, they opted for the mastering procedures used in the Sixties, even consulting notes used by the original engineers who cut the vinyl. Magee and Berkowitz spent weeks listening to the recordings, comparing the masters with first pressings of the vinyl albums from the 1960s



---------------------------------------------------------------------







[/center]